"Oh, Donato, Donato ...
I shrug. "I know.
The Devil gives him a puff on his pipe. "The prelude to the disappointment is even etymologically, illusion.
I take a sip of tea. I put the cup on the saucer porcelain. The accommodation. "I suppose you would not get my hopes economic emotionally .- I agree, running the tips of my fingers on the edge of the cup.
"No doubt it would.
My fingers stop and feel the smoke area stretching in the palm of my hand. "But there is nothing economic in that woman.
He nods. A smile on his face, behind the tired ballet that comes from his pipe. "If not, you had not come twice to Hell for it. Moreover
-being atheist .- added.
The Devil smiles.
"I thought the bar that has pictures of strawberries was the bar where she would confess," I said .- that every time he came to see me leave me clues. Strawberry always asked pills. So ...
"But no.
.- "But I repeat, grabbing a cup of tea.
The Devil gives him a puff on his pipe. Lazy through me with his eyes half closed. "I guess you did not come here just to tell this failure.
"True .- I say, and took a sip.
"Not for a social visit.
I shake my head. "I'm an atheist .- repeat.
, who is forced to attend a scenario that does not believe, lies in the ease of stereotypes.
- which would mean ...?
"You come to a deal.
nod. I put the cup on the saucer porcelain. The accommodation. "I want to see it again. She. A Cecilia.
- And in return?
"I am a soul. "Your soul .-
corrected.
"No, no. A soul. The .- say it, and pointed to Nadia-Me has been following for a while and I quite frankly annoying. Nadia
stop taking pictures to Hell with his cell phone and turns to me. - How?
The Devil agrees. Stretch your hand through the smoke of his pipe.
-moment, time slows .- Nadia-Only I can decide on me.
He smiles. "Please, do not be naive .- retorted, shaking his hand with mine.
Nadia looks at us, without understanding what happened.
"Thanks for the tea.
The Devil accommodates his gallery, nodding.
I get up and look between the rocks, the first rung of the ladder E subway line leading to the city. Nadia, back, scream. Cecilia, in front, waiting.
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